Allison Loring

LAFF 2013 Review: ‘The Crash Reel’ Delivers Stunning Images with Serious Consequences

By Allison Loring 

LAFF 2013: 10 Things We Learned About Composing From Atticus Ross, Brian Tyler, and David Sardy

By Allison Loring 

LAFF 2013 Review: Found Footage Style of ‘Europa Report’ Takes Away from Potentially Intriguing…

By Allison Loring 

LAFF 2013: 10 Insights on Being Funny from Maya Rudolph

By Allison Loring 

LAFF 2013 Review: Few Things Last ‘Forev,’ But That Doesn’t Mean They’re Not Worth the Trip

By Allison Loring 

LAFF 2013 Review: Leave Your Inhibitions Behind for a Campy Romp in ‘I’m So Excited’

By Allison Loring 

How Does One Compose for a Film Adapted from a Play?

By Allison Loring 

9 Big Questions Left Unanswered by ‘The Purge’

By Allison Loring 

Composing for a New Brand of Horror with Nathan Whitehead and ‘The Purge’

By Allison Loring 

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