Allison Loring

How Warren Ellis and Nick Cave’s Music Haunted ‘The Assassination of Jesse James by the Coward…

By Allison Loring 

Bluegrass Music Becomes a Main Character In ‘The Broken Circle Breakdown’

By Allison Loring 

‘Charlie Countryman’ Is a Countryman Best Left Undiscovered

By Allison Loring 

Do Well-Known Singers Distract From the Impact of a Film?

By Allison Loring 

AFI FEST 2013 Review: ‘Mandela: Long Walk to Freedom’ Tells Facts When it Should Show More Emotion

By Allison Loring 

AFI FEST 2013 Review: ‘Drones’ Asks Big Questions Without Pretending to Know the Answers

By Allison Loring 

Film Scores Are Not Sticking to a Single Genre, and It’s Working

By Allison Loring 

‘The Counselor’ Review: Ridley Scott’s Latest Delivers Style Devoid of Much Substance

By Allison Loring 

‘Kill Your Darlings’ Falters By Telling Two Halves Instead of a Whole Story

By Allison Loring 

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