Allison Loring

Review: ‘John Dies At The End’ Is A Trip In More Ways Than One

By Allison Loring 

Sundance 2013 Review: Shack Up with ‘Toy’s House,’ A New Kind of Coming-Of-Age Story

By Allison Loring 

Sundance 2013 Review: Delusional But Hilarious ‘Ass Backwards’ Delivers the Laughs

By Allison Loring 

Composing for Drama vs Horror: Fernando Velázquez’s Scores for ‘The Impossible’ and ‘Mama’

By Allison Loring 

Sundance 2013 Review: ‘Manhunt’ Shows The Real Search for Osama Bin Laden

By Allison Loring 

Sundance 2013 Review: ‘Sound City’ Rocks (with Dave Grohl on Drums)

By Allison Loring 

Experience Sundance 2013: Naked Shia Labeouf and (Supposedly) Clean Towels

By Allison Loring 

Sundance 2013 Review: A Trip to ‘Big Sur’ Is Worth It For The Scenery, But Little Else

By Allison Loring 

Sundance 2013 Review: Return to Adolescence in ‘It Felt Like Love,’ But It May Be As Awkward and…

By Allison Loring 

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