By Andrew Karpan
If there were an Oscar for content, PT Anderson would be in the gold.
Donald Glover’s long history of being on the money.
Even a decade later, Julian Schnabel’s depiction of disability went to a space few cinematic depictions do.
McDonagh and Haggis are both sinewy edgelords. But different kinds.
Dark, fun, spy stuff awaits in both dimensions.
A coming of age tale that bristles with the worldview of how highschoolers see themselves.
This was a year in which Hollywood reached out into the rest of America to find some of its most compelling heroes.
Why not define Christmas in the terms that we celebrate it?
How Virgil Williams and Dee Rees made a novel into their own Oscar-worthy meditation on race in America.
