By Andrew Karpan
On the occasion of the 10th anniversary of ‘No Country for Old Men,’ we looked at its legacy of influence.
From ‘Fruitvale Station’ to ‘Mudbound,’ Morrison has found her place as one of the most humanistic storytellers in her field.
His characters have always represented a version of retrograde masculinity in the shadows. Only now, it’s leading the show.
Somewhere between Lanthimos and Korine, Edoardo De Angelis’ third feature is thriving.
Looking back on ‘The Darjeeling Limited,’ a decade later.
Don’t stay in Paris, kids.
Reevaluating Crowe’s earlier, more chill filmography.
How do the ’90s rank as a cinematic setting for our hangout fantasies?
