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The Stingy Style of Robert Bresson

By  Jacob Oller 

The King of Clay: Willis H. O’Brien’s Stop-Motion Reality

By  Jacob Oller 

Short Film Friday: Modern Dance ‘Ascension’ Finds ‘Planet Earth’ Style

By  Jacob Oller 

Short Film Friday: ‘Underground Tantrum’ Revels In Rap

By  Jacob Oller 

Short Film Friday: ‘Rabbit’s Blood’ Is The Best Kind Of Weird

By  Jacob Oller 

Thank You For Smoking: Lighting Up With Billy Wilder

By  Jacob Oller 

Exploring Nowhere: The Weird Worldbuilding of ‘Eraserhead’

By  Jacob Oller 

David Lynch’s constructions are coherent in their craziness.

Why Don’t Film Cuts Freak Us Out?

By  Jacob Oller 

Unnatural approximations of real life are standard filmmaking.

Reflexive Filmmaking: George Lucas on George Lucas

By  Jacob Oller