Cannes

‘Asteroid City’ Is A Hopeful Gaze Into Infinity (Cannes Review)

By  Farah Cheded 

Wes Anderson’s latest is a gorgeous ‘50s-set Russian doll of a movie about the wonder and the terror of the “cosmic wilderness.”

With ‘Killers of the Flower Moon’, Martin Scorsese Innovates to Extraordinarily Moving Effect (Cannes Review)

By  Farah Cheded 

From Cannes, Farah Cheded reviews Martin Scorsese’s latest.

‘Memoria’ is Pure, Distilled Meditation in an Affecting Cinematic Experience

By  Luke Hicks 

Apichatpong Weerasethakul and Tilda Swinton offer the gift of reflection.

To Send-Up with Love: Valérie Lemercier on the Making of Her Comedic Celine Dion Biopic

By  Mary Beth McAndrews 

In the bizarre biopic, the filmmaker tells Dion’s story with a twist.

‘Red Rocket’ Brings Small-Town Texas to Cannes in Character Triumph

By  Luke Hicks 

Sean Baker is back with new discoveries.

‘Titane’ is a Ravishing Trip Through Fire and Fury from the Director of ‘Raw’

By  Luke Hicks 

Julia Ducournau’s sophomore feature is coming straight for the jugular.

‘After Yang,’ ‘The Souvenir: Part II’ and Nature Cinematography as a Healing Art

By  Luke Hicks 

Kogonada and Joanna Hogg prove themselves masters of capturing the natural world in step with the narrative.

‘Benedetta’ Takes a Brutal but Accurate Angle on Christian History

By  Luke Hicks 

Paul Verhoeven’s lifelong research on the Church culminates in a marvelously incisive nun thriller.

A Brief History of the Cannes Film Festival Palme d’Or

By  Will DiGravio 

A.k.a. the sometime Grand Prix du Festival International du Film.