Film Festival.
By Alan Smithee
There aren’t many chances that you get to watch an artist progress in front of your eyes. How many of us would love to see David Fincher’s first productions in a festival? We get that chance with Lena Dunham’s Creative NonFiction, which was selected for screening at SXSW as part of the fest’s Emerging Visions category.
By Robert Levin
Tim Disney’s American Violet, opening in limited release today, is a well-acted but heavy-handed message movie that could have used a subtler approach.
By Scott Beggs
We risk losing our doctored press badges and sneak behind enemy lines to get an early look at a film playing at SXSW – Anvil! The Story of Anvil.
By Robert Levin
The latest film from director Ramin Bahrani is the powerful, deeply moving story of an unexpected friendship.
By Rob Hunter
Ross (Shane Taylor) wakes up early one day to see his parents off on their road trip through Europe. Alistair (Benjamin Whitrow) and Valerie (Eileen Nicholas) are heading to Germany for some unknown reason, but when the trip faces cancellation, Ross agrees to chauffeur his parents through Europe.
By Rob Hunter
Three words that should bring a smile to the face of even the saddest person. But despite having the best title ever, can Lesbian Vampire Killers really live up to its promises?
