By Anna Swanson
By sacrificing style for the sake of safety, the X-Men film series ends with a whimper.
What the two shows can teach us about saying goodbye to characters who are the best at being the worst.
By Anna Swanson, and Meg Shields
‘The House That Jack Built’ is a divisive parade of depraved obscenities, and according to the Double Take duo: it rules. Here’s why.
By Meg Shields, and Anna Swanson
In space, no one but Meg Shields and Anna Swanson can hear your bodily fluids. You’ll need to keep reading for the context.
The French Left Bank icon and feminist film pioneer will be deeply missed.
Christian Petzold’s latest is unconventional in the best way possible.
The dramatic Oscar season of 1953 is repeating itself.
The women of ‘Jennifer’s Body,’ ‘The Invitation,’ and ‘Destroyer’ are a new breed of antihero.
Mahershala Ali and Viggo Mortensen shine in Peter Farrelly’s first foray into drama.
