Rob Hunter

Rob Hunter has been writing for Film School Rejects since before you were born, which is weird seeing as he's so damn young. He's our Chief Film Critic and Associate Editor and lists 'Broadcast News' as his favorite film of all time. Feel free to say hi if you see him on Twitter @FakeRobHunter.

‘Oldboy’ Remake May Be In the Hands of Steven Spielberg and Will Smith

By Rob Hunter 

Steven Spielberg is apparently in the process of acquiring the remake rights for Dreamworks, in the hopes of directing the film with Will Smith as the star.

Stallone, Statham, and Li Are ‘The Expendables’

By Rob Hunter 

Stallone? Check. Statham? Check. Jet Li? Keep your fingers crossed for the best casting news of your blood-soaked day.

Indie Spotlight: Red

By Rob Hunter 

Brian Cox delivers a strong performance in this low-budget revenge film, but it stumbles on production value.

Who’s Up For ‘A Good Old Fashioned Orgy’ With Leslie Bibb?

By Rob Hunter 

Sure the title is suggestive, but can the movie live up to it?

MySpace Meets J-Horror in Hideo Nakata’s ‘Chatroom’

By Rob Hunter 

Is there anything scarier than a social networking site’s chat room? There is? Well, don’t tell Hideo Nakata that.

TV Review: Californication 2.6 – Coke Dick & the First Kick

By Rob Hunter 

Hank decides to seek out Lew Ashby’s long lost love. He finds her in the surprising form of Beverly Hills mom Janie Jones. Later, Hank accidentally walks in on Julian going at it with a rocker chick he’s “mentoring.”

TV Review: Entourage 5.9 – Pie

By Rob Hunter 

Vince’s first day on the set of Smokejumpers starts with a dickish Drama, includes feelings of nervousness, and ends with a realization that Vince’s career has sunk so low that Jason Patric actually carries more weight.

31 Days of Horror: Pet Semetary

By Rob Hunter 

The Creed family has moved to Maine in search of a happy and quiet new life. Unfortunately, they’ll find only anguish, suffering, death, and the supernatural instead.

31 Days of Horror: Dead Alive

By Rob Hunter 

The Return of the King may have one the Oscar for Best Picture, but Dead Alive might just be Peter Jackson’s best film.