Wes Anderson

Center-Framed Cannoli: Imagining Wes Anderson’s ‘The Sopranos’

By  Meg Shields 

I went ahead and ordered some for the table.

The Aesthetics of Class in the Films of Wes Anderson

By  Meg Shields 

You know what they say: the views are better (and lonlier) above ground.

The Real Stories Behind Wes Anderson’s ‘The French Dispatch’

By  Will DiGravio 

Here are the real-life writers, editors, and true stories that inspired the movie.

Wes Anderson’s ‘The French Dispatch’ is a Spectacle of Mid-Career Innovation

By  Luke Hicks 

“A new flavor…that’s a rare thing at my age.”

How Wes Anderson’s Nod to Hitchcock Exemplifies What an Homage Should Be

By  Meg Shields 

What is the difference between a lazy rip-off and an artful homage?

‘The Grand Budapest Hotel’ and the Importance of a Script Breakdown

By  Meg Shields 

Here’s a video essay that clarifies the importance of a script breakdown with a look at Wes Anderson’s The Grand Budapest Hotel.

28 Things We Learned from Wes Anderson’s ‘The Grand Budapest Hotel’ Commentary

By  Rob Hunter 

“Is this the sort of thing that people say on commentary tracks?” Apparently it is.

The Cinematic Grammar of Wes Anderson’s ‘Castello Cavalcanti’

By  Meg Shields 

Sometimes, actions speak louder than words. And of course by actions we mean camera pans.

Shot by Shot with ‘The French Dispatch’ Trailer

By  Kieran Fisher 

Wes Anderson is back with an ode to journalism, and it looks fantastic.