The Queue is an oft-recurring column in which Meg Shields provides you with a distraction of curated video content sourced from across the web.
If you’re new to The Queue, start here:
By Meg Shields
Almost sixty years later, ‘West Side Story’ is as vital and relevant as the day it was released.
By Meg Shields
Here’s an interview with cinematographer Robert Elswit on the joys and challenges of blending comedy and naturalism in ‘The King of Staten Island.’
By Meg Shields
What’s worse than doppelgangers, puppets, and spiders? A combination of all three of course.
By Meg Shields
Here’s a video essay that explains what Terrence Malick’s filmography can teach us about the work of Martin Heidegger.
By Meg Shields
Here’s a video essay on why ‘Honey Boy’ operates on empathy.
By Meg Shields
What we’re watching: a true story that draws from the realms of high strangeness, magical thinking, and manic delusion.
By Meg Shields
Representation matters. Just ask Nichelle Nichols.
By Meg Shields
Here’s a video essay on why Donnie Yen’s fight choreography kicks ass. Literally.