The Queue is an oft-recurring column in which Meg Shields provides you with a distraction of curated video content sourced from across the web.
If you’re new to The Queue, start here:
By Meg Shields
Here’s a video essay on why Donnie Yen’s fight choreography kicks ass. Literally.
By Meg Shields
Here’s a video essay about how Yoshifumi Kondō’s ‘Whisper of the Heart’ resonates with the experience of many artists.
By Meg Shields
Here’s a short film that re-frames classic movie scenes in the context of the apps that have become popular in the age of social distancing.
By Meg Shields
A video essay for everyone curious about the split diopter but too afraid to ask.
By Meg Shields
Shot on a smartphone while sheltering in place in his home office, here’s the short film Martin Scorsese made under quarantine lockdown.
By Meg Shields
Here’s a video about the real futuristic locations and artwork that Stanley Kubrick used for the production design of ‘A Clockwork Orange.’
By Meg Shields
No two restoration projects are exactly the same. Here’s how the Criterion Collection restored a warped print of ‘The Man Who Knew Too Much.’
By Meg Shields
Lisa Hanawalt’s characters make animals out of people. Or is it the other way around? Here’s a video essay about how her animals bring us closer to what it means to be human.