Sofia Coppola

‘Marie Antoinette’ and the Argument for Mise-en-Scène as Film Form

By  Meg Shields 

Sometimes a prop is more than just a prop.

The Ending of Sofia Coppola’s ‘Marie Antoinette’ Explained

By  Anna Swanson 

There are many different ways to say goodbye.

How Sofia Coppola Uses Color in ‘The Virgin Suicides’

By  Luke Hicks 

“We felt the imprisonment of being a girl, the way it made your mind active and dreamy, and how you ended up knowing which colors went together.”

‘On The Rocks’ Showcases Sofia Coppola at Her Most Mature

By  Anna Swanson 

The director long preoccupied with coming of age narratives now turns her full attention to the problems that come with adulthood.

Recklessly Early 2021 Oscar Predictions

By  Christopher Campbell 

The 92nd Academy Awards just ended, but we’re already considering what the major contenders will be for the 93rd.

‘The Bling Ring’ is a Perfect Millennial Movie

By  Anna Swanson 

Sofia Coppola’s polarizing crime drama deserves more credit than it’s been given.

As Life Flies By: Sofia Coppola Through Windows

By  Jacob Oller 

Crossing Over: How ‘Lost in Translation’ Uses the Frame

By  Jacob Oller 

The caverns of meaning and negative space can operates similarly.

The Audience Dependency of Sofia Coppola’s Observational Cinema

By  Jacob Oller 

The director’s best work is that which is most open to interpretation.