Sean Baker

A Tangerine Dream: Colors in the Films of Sean Baker

By  Meg Shields 

Pretty cool when they make movies in color, huh?

‘Tangerine,’ Realism, and the Double Logic of Digital Cinema

By  Meg Shields 

Does digital cinema mean green screens and fully-CGI characters? Or realistic shaky-cam and more accessible filmmaking? (The answer is yes, and yes).

‘Red Rocket’ Brings Small-Town Texas to Cannes in Character Triumph

By  Luke Hicks 

Sean Baker is back with new discoveries.

Watch ‘It: Chapter Two,’ Then Watch These Movies

By  Christopher Campbell 

We recommend eight movies starring James Ransone to watch after you see him in the new horror sequel.

How ‘The Florida Project’ Gives Harsh Reality the Fairy Tale Treatment

By  Ciara Wardlow 

When you think about it, it’s an ugly story—but damn, is it a beautiful film.

Twin Films: ‘The Florida Project’ and ‘Summer 1993’

By  Farah Cheded 

Exploring the remarkable similarities and revealing differences between these two recent additions to cinema’s treasure chest.

9 Great Performances by First-Time Actors

By  Madison Brek 

“Cinema is a mirror of reality and it is a filter.”

Seeing Through the Eyes of a Child: How Color is Used in ‘The Florida Project’

By  Farah Cheded 

The movie’s vibrant cinematography gifts us the sunny outlook of a child.

‘The Florida Project’ Review: Sean Baker Reclaims Hollywood’s Typical Childhood Narrative

By  Matthew Monagle 

Filmmaker Sean Baker has replaced the nostalgia of white picket fences with the carparks of Orlando.