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NYFF: ‘The Princess Bride’ Reunion Screening Gleefully Transforms Lincoln Center Into a Grindhouse…
By
Caitlin Hughes
NYFF: Alain Resnais’ ‘You Ain’t Seen Nothing Yet’ Offers A Bevy of French Talent But Remains at a…
By
Caitlin Hughes
NYFF: ‘Fill the Void’ Is a Deep and Open Portrayal of a Closed Community
By
Daniel Walber
NYFF: Is ‘Passion’ Poised to Eclipse The Camp Classic ‘Showgirls’?
By
Caitlin Hughes
NYFF: ‘Bwakaw’ Is A Slight Yet Heartwarming Tale of an Old Man and His Dog
By
Caitlin Hughes
NYFF: ‘Frances Ha’ is a Beautiful Blend of Graceful Clumsiness
By
Daniel Walber
NYFF: De Palma’s ‘Passion’ Misfires with Bad Camp and Silly Twists and Turns
By
Caitlin Hughes
NYFF: ‘Life of Pi’ is Near-Perfect
By
Jack Giroux
NYFF: ‘Caesar Must Die’ Brings a Thrilling and Brutal Clarity to Shakespeare
By
Daniel Walber
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