By Luke Hicks
Céline Sciamma’s follow-up to ‘Portrait of a Lady on Fire’ leaves something to be desired. But the experience is still lovely.
By Luke Hicks
Split screen entertainment is back and sadder than ever.
By Luke Hicks
Too much time with talking heads makes for a static, unbalanced examination of Chinese society over the past 80 years.
By Luke Hicks
Tsai Ming-liang and Lee Kang-sheng create a tender, cavernous narrative that affirms the monotony and beauty of being and the exhaustion that stems from that dichotomy.