Real Hauntings and Rubber Fingers: How They Made ‘Deadstream’


“I felt so privileged to be touching that sweet corpse head.”

Cinematographer PJ Dillon The Falcon And The Winter Soldier

Cinematography and Iconography in ‘The Falcon and the Winter Soldier’


We chat with the show’s director of photography, P.J. Dillon, about how he shot the shield and looking forward to another season.

Marcus Watson Intimacy Coordinator

How an Intimacy Coordinator Affects Story on a Film Set


We chat with intimacy coordinator Marcus Watson about how he shares the same mission as costumes, stunts, and production design. They’re all there for the story.

Jay Baruchel Random Acts Of Violence

Jay Baruchel Makes His Camera a Ghost for ‘Random Acts of Violence’


We chat with the director about finally making the horror film that lingered in his head for over a decade.

The High Note Nisha

Nisha Ganatra on Why She Needed to Celebrate the Vibe of L.A. in ‘The High Note’


We talk to the director about how lens choice is crucial to capturing narrative.

Hollywood Unit Rc

Behind the Best Part of Netflix’s ‘Hollywood’


Sarah Evelyn and Lou Eyrich talk about how they made the 1940s come alive through costume design.

King Conan Screenshot

Quentin Tarantino Teaches You How To Interview A Legend


Read how a twenty-year-old Tarantino snatched gems of information from director John Milius.

Eb Pressbts

Drake Doremus Talks ‘Endings, Beginnings’ and Love at First Sight with Sebastian Stan


The filmmaker discusses casting, happy accidents, and rewriting in the edit room.


J.D. Dillard Explains How He Created a Most Epic Creature Shot in ‘Sweetheart’


We chat with the filmmaker about how one haunting image propelled him to make his meaty creature feature.