By Meg Shields
Sure, you’d watch a film shot on an iPhone, but what if it were shot vertically?
By Rob Hunter
Heads up haters — they don’t even mention the American flag once.
By Sheryl Oh
Considering how ‘First Man’ oscillates between filmmaking styles, editing creates the intense atmosphere necessary for a highly satisfying take on the Moon landing.
By Farah Cheded
Al Reinert’s seminal space documentary leaves its mark on First Man’s surface.
By Max Covill
You will not have experienced ‘First Man’ until you see it in IMAX.