Criterion Files

Econimic Inequality Through the Eyes of Depression-Era Hollywood Movies

The common, received wisdom about Hollywood during The Great Depression tends to go like this: Hollywood played an important role… Read More

3 Reasons ‘Grand Illusion’ is the Greatest Anti-War Film Ever Made

In 2012, Landon Palmer began going through the Criterion Collection's library and writing about the films and why they belonged… Read More

‘The Wages of Fear’ Continues to Redefine the Suspense Thriller

Welcome to Foreign Objects, a series of articles originally published in the early 2010s that spotlighted foreign films. In this… Read More

‘Night and Fog’ Makes the Atrocities of the Past Devastatingly Present

Welcome to the Criterion Files, an early FSR column in which Landon Palmer went through the Criterion Collection catalog disc by disc.… Read More

Criterion Files #549: “The Last Picture Show” Takes the Butter Off Small Town American Popcorn

To this point in our subjection of the films of BBS Productions we’ve been privy to a handful of boundary-pushing… Read More

Criterion Files #409: Beauty and Sadness await in the “Days of Heaven”

Some films represent to many the indefinable expression of a dream. Often times it’s nightmarish, as that’s what we can… Read More

Criterion Files #36: Desperation Ignites Cautious Calamity in ‘The Wages of Fear’

“Think they pay you to drive? They pay you to be terrified.”It’s the line that inspires the title. Four men… Read More

Criterion Files #238: Godard Gets Musical with ‘A Woman is a Woman’

Welcome to the second installment of Guest Author month at Criterion Files: a month devoted to important classic and contemporary… Read More

Criterion Files #33: Lies Tell the Truth in ‘Nanook of the North’

The documentary feature has a considerably long history of a, most likely, mis-distinction in terms of what it actually is.… Read More