The Return of 4:3
You know what they say: it's hip to be square. Read More
October 15, 2021
Cinematography
How They Filmed the Café Dolly Shot in ‘Wings’
No, there wasn't a buzzsaw attached to the camera. But that's a free idea if anyone wants it... Read More
September 30, 2021
The Center-Framed Cinema of Pedro Almodóvar
Arguably one of the most visually identifiable directors working today, here's a quick celebration of the center frames of Spanish… Read More
September 24, 2021
From ‘XXY’ to ‘The Neon Demon’: The Cinematography of Natasha Braier
A bold, uncompromising voice in cinematography: here's a quick intro to what defines the work of Natasha Braier. Read More
September 22, 2021
The Terrifying, Humorous, and Thematic Potential of Off-Screen Space
"There is always an out-of-sight just as there is always an off-screen" - Victor Perkins Read More
July 30, 2021
Navigating the Digital Landscape of Michael Mann’s ‘Miami Vice’
The masterful big-screen adaptation has a polarizing and distinct mid-2000s look to it, but that's all part of what makes… Read More
July 28, 2021
Chasing Butterflies: Observations on the Visual Style of Terrence Malick
Hope y'all brought your allergy medication because we're going to be running through some fields. Read More
June 14, 2021
Glamor From Above: The Simple Majesty of Dietrich Lighting
Lights, camera, Marlene Dietrich. Read More
June 9, 2021
Anamorphic vs. Spherical Camera Lenses: What’s the Difference?
If you've ever wanted to know what people mean when fancy film people say "anamorphic" this one's for you. Read More
May 12, 2021