Why They Jammed A Dozen Movies Into ‘Everything Everywhere All At Once’
We chat with cinematographer Larkin Seiple about the numerous influences flooding throughout this multiversal madhouse. Read More
April 21, 2022
Cinematography
Bigger Isn’t Always Better: An Introduction to Movie Camera Sensor Size
Put on your "tech-talk" pants, it's time to talk sensor size. Read More
April 16, 2022
Why They Used Bottles as Lenses for ‘The Last Days of Ptolemy Grey’
We chat with cinematographer Shawn Peters about the new Apple TV+ series and how chasing imperfection always results in authenticity. Read More
March 17, 2022
A Beginner’s Guide to Color Temperature in Film
Every film has a light source ... and every light source has a color temperature. Here's an intro to this… Read More
February 16, 2022
How the Golden Ratio Explains Cinema’s Hold On Us
You know what they say. The eyes are the window to the soul. Read More
February 7, 2022
DP Rodrigo Prieto on the Creative Thrust of “Subjective Cinematography”
If the camera has a perspective, it's worth asking whose perspective it belongs to. Read More
November 5, 2021
How They Filmed the Café Dolly Shot in ‘Wings’
No, there wasn't a buzzsaw attached to the camera. But that's a free idea if anyone wants it... Read More
September 30, 2021
The Center-Framed Cinema of Pedro Almodóvar
Arguably one of the most visually identifiable directors working today, here's a quick celebration of the center frames of Spanish… Read More
September 24, 2021