Cannes

Film Festival.

No Featured Image

Cannes Review: Bernardo Bertolucci’s ‘Me and You’ Is A Slight Return From The Veteran Director

By   

No Featured Image

Cannes Review: Great Performances Can’t Save Lee Daniels’ ‘The Paperboy’

By   

No Featured Image

Cannes Review: ‘The Angels’ Share’ Scores Another Success For Ken Loach

By   

No Featured Image

Cannes Review: ‘The Hunt’ Is Sublimely Affecting, Award-Worthy Drama

By   

No Featured Image

Cannes Review: Leos Carax’s ‘Holy Motors’ Is (The Good Kind of) Bat-Shit Crazy

By   

No Featured Image

Cannes Review: ‘The Sapphires’ Is An Aboriginal ‘Dreamgirls’

By   

No Featured Image

Cannes Review: Tits, Teeth, and Rutger Hauer in Dario Argento’s ‘Dracula 3D’

By   

No Featured Image

Cannes Review: Xavier Dolan’s ‘Laurence Anyways’ Is A Spirited But Self-Indulgent Mess

By   

No Featured Image

Cannes Review: ‘Mystery’ is a Slow Burn Soap Opera with Social Subtext

By