City.
By Neil Miller
We take one more look back at what is quickly becoming the geek event of 2009, complete with our own Executive Editor making an appearance on G4’s Attack of the Show.
By Kevin Kelly
SXSW gave us the double-edged sword of joy through the heart known as Metropolis with the addition of a live performance of an all-new original score for the film. Plus, we drank beer during it. Only in Austin.
By Neil Miller
Assuming we don’t get into trouble on the 18 hour drive between Columbus, Ohio and Austin, Texas, here is a quick preview of what our upcoming week should look like…
By Scott Beggs
The reviews on this will probably be a mix of A’s and F’s. It’s either love or hate for the D, and movie-goers won’t be able to know which side they’re on until they pay their ten bucks for a seat.
By Scott Beggs
Making movies just isn’t good enough anymore. We’re thrusting headlong into an exciting new world where movies aren’t just biographical, but fictionally biographical; not just documentaries, but mockumentaries; not just fictional, but reality-based fiction. With meta-humor becoming as commonplace in comedies as explosions in action flicks, it’s getting tougher to create the next big twist on classic stories.
By Scott Beggs
There are more than two parts to making every movie, but if it had to be done, the process could be split into concept and execution. Every critic knows this since many of them rely solely on the arsenal of insults involving the execution of a film, praising its concept as genius while distressing over how it could have been made better. I’m not one to follow trends, but after watching this movie, I’m forced to say that I loved Run, Robot, Run!‘s ideas and yawned at the way they were presented.
