SXSW

‘Cora Bora’ Is a Star Vehicle For Meg Stalter To Prove Her Immense Dramatic Skills

By  Lex Briscuso 

Meg Stalter is a star, and now the world will finally get to see her lead the way in this dramedy that shows her off as the complete acting package.

The ‘Star Wars Holiday Special’ Is Good, Actually?

By  Brad Gullickson 

Okay, so, no, it’s not. Although, our conversation with ‘A Disturbance in the Force’ co-director Jeremy Coon does recontextualize its awfulness.

‘Here Before’ is a Dread-Fueled Showcase for Andrea Riseborough

By  Matthew Monagle 

Stacey Gregg’s horror film explores grief and abandonment, with a twist.

‘The Fallout’ is an Ode to a Paralyzed Generation

By  Aurora Amidon 

In Megan Park’s feature directorial debut, trauma is just a part of daily life.

‘Alone Together’ is a Heartfelt Look at Fan Community Amidst COVID

By  Brianna Zigler 

This Charli XCX documentary is less about the coronavirus pandemic than it is about community and connection.

In ‘Violet’ That Voice Inside Your Head is a Main Character

By  Brianna Zigler 

A distinctive style and a strong lead performance still leave something to be desired.

‘Paul Dood’s Deadly Lunch Break’ Dances a Fine Line Between Charm and Controversy

By  Rob Hunter 

Fans of ‘Tucker & Dale vs Evil’ will want to seek out this dude’s adventures as soon as possible.

‘Sound of Violence’ Rides in Circles on a Cycle of Trauma

By  Rob Hunter 

She killed a man just to hear him bleed.

‘The Feast’ Serves Up a Heaping Plate of Morality and Death, Welsh Style

By  Rob Hunter 

Privilege meets its match as new money meets old gods.