SXSW

Film Festival.

Swarm Review

‘Swarm’ Sees Dominique Fishback Impressively Raise Hell in the Name of Fandom and Idolatry

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Fandom and fatalities don’t mix—but in Donald Glover and Janine Nabers’ new series, they come crashing to a bloody, glorious head.

Cora Bora

‘Cora Bora’ Is a Star Vehicle For Meg Stalter To Prove Her Immense Dramatic Skills

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Meg Stalter is a star, and now the world will finally get to see her lead the way in this dramedy that shows her off as the complete acting package.

Star Wars Holiday Special A Disturbance In The Force

The ‘Star Wars Holiday Special’ Is Good, Actually?

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Okay, so, no, it’s not. Although, our conversation with ‘A Disturbance in the Force’ co-director Jeremy Coon does recontextualize its awfulness.

Here Before film Andrea Riseborough

‘Here Before’ is a Dread-Fueled Showcase for Andrea Riseborough

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Stacey Gregg’s horror film explores grief and abandonment, with a twist.

The Fallout Sxsw

‘The Fallout’ is an Ode to a Paralyzed Generation

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In Megan Park’s feature directorial debut, trauma is just a part of daily life.

Alone Together

‘Alone Together’ is a Heartfelt Look at Fan Community Amidst COVID

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This Charli XCX documentary is less about the coronavirus pandemic than it is about community and connection.

Violet

In ‘Violet’ That Voice Inside Your Head is a Main Character

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A distinctive style and a strong lead performance still leave something to be desired.

Paul Doods Deadly Lunch Break

‘Paul Dood’s Deadly Lunch Break’ Dances a Fine Line Between Charm and Controversy

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Fans of ‘Tucker & Dale vs Evil’ will want to seek out this dude’s adventures as soon as possible.

Sound Of Violence

‘Sound of Violence’ Rides in Circles on a Cycle of Trauma

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She killed a man just to hear him bleed.