It’s impossible not to be impressed by the folks at the SoundWorks Collection. Time and time again, they find great projects to feature and highlight one of the most atmospherically impactful elements of modern film: sound. In a time when we’re talking Oscar for a unique film without sound (The Artist), it’s also important to continue to celebrate the incredible work that goes into engulfing us with audible stimuli. In this particular instance, they feature Supervising Sound Editor Lon Bender’s work on the throbbing world of Nicolas Winding Refn’s Drive. Combined with the incredible Clint Martinez (which Allison featured as part of Aural Fixation a few weeks back). Through this behind the scenes featurette, you get a look at what it took to move back and forth between the moments driven by score and the moments driven without score, a perfectly balanced effort.
Watch the featurette for yourself below:
Drive sound credits:
- Lon Bender – Supervising Sound Editor
- Kerry Ann Carmean – Sound Effects Editor
- Mark DeSimone – Adr Mixer: New York
- Robert Eber – Sound Mixer
- Scott Edelson – Boom Operator
- Victor Ray Ennis – Supervising Sound Editor
- Robert Fernandez – Sound Re-recording Mixer
- Paul Hackner – Foley Editor
- Catherine Harper – Foley Artist
- Darrin Mann – Foley Mixer
- Christopher Moriana – Foley Artist
- Dave Patterson – Sound Re-recording Mixer
- John C- Stuver – Dialogue Editor
- Greg Zimmerman – Adr Recordist
- Peter Zinda – Sound Effects Editor
Video courtesy of The SoundWorks Collection.
