A relic from years gone by has been completed. On May 7th, 2015, a project showed up on funding site Indiegogo. An unreleased film from one of cinema’s legendary filmmakers. It was a campaign to finance the completion of Orson Welles’ final film, The Other Side of the Wind. The film even had trouble there and it wasn’t until Netflix delivered with the rest of the investment that the film became a reality.
Orson Welles’ projects’ were well known for running into difficulties. His second feature, The Magnificent Ambersons, was cut by studio RKO, with footage being thrown away. Even in the state, it reached cinemas, the Academy nominated it for four Oscars including Best Picture. Touch of Evil, a film noir starring Janet Leigh and Charlton Heston, also had a butchered debut. Universal made edits to the picture, and the finished product barely resembled Welles vision.
The Other Side of the Wind was another issue altogether.
The film was never completed by Welles’ due to budgetary constraints. Welles had to turn to self-financing his films given the difficulties he faced in Hollywood. For The Other Side of the Wind, Welles used a mixture of foreign financiers to fund his picture. It was never enough money though, and the film was never completed. Welles would pass-away in 1985 never seeing the end for his film.
Then, in 2014, producers Filip Jan Rymsza and Frank Marshall received the rights to the film. The goal was to fund the movie with a crowdfunding campaign. Welles film would see the light of day. That brings us to 2018.
It is difficult to separate The Other Side of the Wind from the journey it took to the screen. The movie features John Huston as J.J. “Jake” Hannaford, a film director who is seeking to reinvent his career with his new film, also known as The Other Side of the Wind. That Welles had the same intention, making a splash in Hollywood after years away, watching the film is a little like watching Christopher Nolan’s Inception. On the top level, we have fans and producers trying to fund and complete an Orson Welles film that no one will finance. Then, we have Orson Welles trying to complete his film that no one will finance. We have a director in an Orson Welles film, trying to get funding for his uncompleted film. Finally, you have The Other Side of the Wind, the incomplete film by J.J. Hannaford.
The experience of watching Orson Welles’ The Other Side of the Wind is another story. The largest audience for the film will be cinephiles excited to watch a piece of history 40+ years in the making. They will know it as that long-lost film from the director of Citizen Kane. They will go to their streaming device of choice; a laptop, a 4K OLED TV with Dolby Vision, or a cell phone. The expectation will be that Netflix has a huge banner for the movie. One of the most unbelievable cinematic endeavors in the last 40 years, by one of the icons of our time! It must be front page worthy.
Netflix doesn’t value this film as much as cinephiles do. There will be scrolling through titles like Chilling Adventures of Sabrina, The Haunting of Hill House, House of Cards. Netflix, in their infinite wisdom, has buried The Other Side of Wind to its search algorithm. It is just another feather in their cap, not something they deem as commercially viable. Perhaps it is this moment that feelings of anger and frustration come into play. Those emotions will soon turn to bemusement and confusion.
Right away we are made well aware of the turmoil and hours that have been put into making this film a reality. “Nearly 100 hours of footage” had to be edited. It was put together using memos and a few edited scenes. A colossal effort.