By Fernando Andrés
Nobody exists on purpose, nobody belongs anywhere, everybody is gonna die.
A new video essay explores the dead ends of ‘Rogue One,’ comparing it to other entries in the franchise.
How can a film depict the most painful of human emotions?
Everything means something in a film this personal.
A video essay explores the acclaimed filmmaker’s exquisite usage of atmosphere.
Take a closer look at Paul Thomas Anderson’s handling of religion with this video essay about The Master and what it has to say about Scientology.
The problematic title combines a severe mishandling of campus rape with a mediocre psychological thriller.
