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Allison Loring
With Empire and Nashville, Music Has Taken Over Wednesday Nights On TV
By Allison Loring
When It Comes to Movies About Music, Chemistry Matters
By Allison Loring
What The Film Music of 2015 Will Sound Like
By Allison Loring
How ‘A Most Violent Year’ Changed Composer Alex Ebert’s View on Music
By Allison Loring
The Best Movie Music of 2014
By Allison Loring
Lorde’s Curated ‘Hunger Games’ Soundtrack Isn’t Really a Soundtrack
By Allison Loring
‘Still Alice’ Review: Julianne Moore Peels Back the Layers on a Heartbreaking Disease
By Allison Loring
The Electric Side of James Newton Howard
By Allison Loring
‘The Homesman’ Review: Tommy Lee Jones On An Ill-Fated Journey
By Allison Loring
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